Cut the Fat
Don't worry. I'm not going all nazi-diet-commando on you, guilting you out for eating that quart of Ben and Jerry's Chunky Monkey last night. The fat I'm talking about is in your writing. Whether you're penning a novel or a note to Great Aunt Gertrude, the words you put down on paper matter because some poor slob has to read them.
How exactly can you trim the waste off your writing? Here are a few tips, little cowboy . . .
Cut the description.
I know this goes against the grain of every creative writing class you've ever taken. But really. If your nametag doesn't say John Steinbeck or Carl Sandburg, then chop off 90% of what you've written or readers will gloss over all those words you painstakingly covered the page with.
Step away from the dictionary.
Multi-syllabic words don't make you look any smarter than a tweed jacket with leather elbow patches. Trust me on this one. Big words don't impress people, they just annoy them.
There's enough monotony in real life.
Readers don't need to see your character pull off every detail like getting into the car, turning the key, revving the engine, releasing the parking break, pushing in the clutch, yada-yada.
Get to the point, Sparky, and that point better involve a flaming helicopter crash.
Don't waste time on backstory. Keep your tale moving forward, from one crisis to the next.
You don't have to answer every question.
In fact, you shouldn't, not until the very end. Readers like to figure things out on their own. You don't have to be writing a mystery to engage in a little mystery.
Incorporate these techniques into your writing and you'll have a svelte looking manuscript in no time.
How exactly can you trim the waste off your writing? Here are a few tips, little cowboy . . .
Cut the description.
I know this goes against the grain of every creative writing class you've ever taken. But really. If your nametag doesn't say John Steinbeck or Carl Sandburg, then chop off 90% of what you've written or readers will gloss over all those words you painstakingly covered the page with.
Step away from the dictionary.
Multi-syllabic words don't make you look any smarter than a tweed jacket with leather elbow patches. Trust me on this one. Big words don't impress people, they just annoy them.
There's enough monotony in real life.
Readers don't need to see your character pull off every detail like getting into the car, turning the key, revving the engine, releasing the parking break, pushing in the clutch, yada-yada.
Get to the point, Sparky, and that point better involve a flaming helicopter crash.
Don't waste time on backstory. Keep your tale moving forward, from one crisis to the next.
You don't have to answer every question.
In fact, you shouldn't, not until the very end. Readers like to figure things out on their own. You don't have to be writing a mystery to engage in a little mystery.
Incorporate these techniques into your writing and you'll have a svelte looking manuscript in no time.